Pink acceptance speech at the MTV awards.
Pink acceptance speech at the MTV awards.
Country legend Glen Campbell, whose crossover hits “Gentle on My Mind,” “By the Time I Get to Phoenix” and “Rhinestone Cowboy” forged a lasting bridge between country and pop music, died Tuesday. He was 81.
In 2011, Campbell announced he had been diagnosed with Alzheimer’s disease and mounted a well-publicized farewell tour. His official Twitter posted the news. His daughter, Ashley Campbell, also shared a heartfelt message…..
Campbell was hardly the first country artist to break out of the rural regional radio ghetto — the Nashville Sound of Patsy Cline and Jim Reeves had produced several wide-appeal hits in the early ’60s — but his influence in expanding country music’s parameters and fanbase was substantial. His signature hits often combined orchestral arrangements and traditional pop hooks with countrified lyrical themes and vocal stylings, catalyzing both the “countrypolitan” and soft rock subgenres that would proliferate in the 1970s. (John Denver and Kenny Rogers both owe much of their careers to Campbell’s example.)
He sold more than 45 million records in his career and topped the country singles chart 12 times.
Crossover came naturally to the tall, solidly built Campbell, who enjoyed a pre-stardom career as a prolific session musician for rock, pop and country acts alike. He possessed a calmly authoritative tenor and impeccable guitar chops, but his genial, easygoing charm as a performer was thrown into sharp relief by his hotheaded offstage character, with his reputation marred by substance abuse and allegations of domestic violence. Later becoming a born-again Christian, Campbell continued to maintain a steady audience well into his seventh decade, opening his own theater in Branson, Mo.
Born into a sharecropping family in a tiny town in southwestern Arkansas, Campbell was the seventh of 12 children. Picking up guitar at an early age, he left home at age 14 to pursue music, eventually landing in Los Angeles, where he fathered his first child at age 17. Out west, Campbell soon found himself an in-demand session musician with the now-storied studio conglomerate dubbed the Wrecking Crew, recording guitar parts for such varied acts as Nat “King” Cole, Frank Sinatra, the Monkees, Merle Haggard and Elvis Presley.
Campbell reached the height of his session player power in 1965, when he became a touring member of the Beach Boys — playing bass to compensate for the absent Brian Wilson — as well as contributing guitar parts to the group’s landmark “Pet Sounds” album. All the while, Campbell had been erratically pursuing a solo career, recording mostly unremarkable singles for Crest Records and later Capitol. Though he broke onto country radio a few times, he began to lose favor with Capitol label heads, who by the mid-’60s were pondering dropping him from the roster.
Fortunately they didn’t, as Campbell’s career experienced a sudden, dramatic upswing in 1967, when he recorded a rendition of John Hartford’s “Gentle on My Mind.” Though the 45 barely breached the top-40 singles chart, the titular LP was a runaway success, topping the country album chart and reaching No. 5 on the pop charts.
Follow-up single “By the Time I Get to Phoenix” was an even bigger hit, reaching No. 2 on the country chart and marking the beginning of Campbell’s collaborations with songwriter Jimmy Webb, whose compositions would provide Campbell with hits for years to come. Underscoring the universality of the burgeoning star’s appeal, Campbell won four Grammys for the two songs at the 1967 awards — two in country categories, the other two in pop categories.
This turned out to be the opening salvo in a remarkable streak of hits for the singer. Starting with “Gentle,” Campbell managed to rack up seven consecutive country album chart-toppers over a two year period, recording such iconic tracks as “Wichita Lineman,” “Galveston,” “Dreams of the Everyday Housewife” and a string of duets with Bobbie Gentry. LP “By the Time I Get to Phoenix” won Campbell an album of the year Grammy in 1968.
Cover of the Neil Young Classic “Hey Hey, My My”
Chromatics, from the album “Kill For Love”
While on the subject of cinema themes, two great versions of the final song from Gladiator (2000), composed by Hans Zimmer and Lisa Gerrard, are among my favorites.
Andrea Bocelli – Nella Tue Mani (Now We Are Free)
And the original haunting film score sung by Australian musician Lisa Gerrard
Written by Dougie Maclean in 1990 (from his album The Search), performed here by violinist Jenny O’Connor.
Some of you will recognize this as the version adapted by Trevor Jones for the theme from Last of the Mohicans (1992).
The music of Erik Satie with paintings by Edouard Cortes.
Songs ~ Gymnopedies ~ Gnossiennes #1,3,4,5
Album ~ Satie: Works For Piano Solo And Piano Duet
The ability of music to bridge cultures. Pink Floyd’s “Wish You Were Here” cover by Aryeh and Gil Gat, Jaffa Street, Jerusalem
A bit of nostalgia. From Midnight Cowboy, with John Voigt and Dustin Hoffman.
The harmonica theme at the end is played by Jean Toots Thielemans.
Great rendition of the Billy Joel classic.
Diane Joan Schuur (born December 10, 1953) is a prolific American jazz singer and pianist. Complications from a premature birth caused her total loss of vision.
Interesting life story:
South African sportsman Joost van der Westhuizen was struck down by motor neuron disease in 2011. He died, age 45, on 6 February 2017.
Here is a tribute from his niece, Sumari Botha.
Not many people know that Tom Jones (born Thomas John Woodward) started as a blues singer. Here he covers Sixteen Tons by Merle Travers.
Heard my daughter listening to this. Great voice.
This is the acoustic version. There is also a more upbeat version from Avicii.
Not the doo-wop version recorded by the Tokens in the early 1960s. Miriam Makeba gives a rendition of the traditional African song mourning the death of a king (the lion sleeps tonight).
Great cover of this timeless Beatles song written by Paul McCartney (1968).
Written and sung by the former Drifters front-man, Benjamin Earl King (1938 – 2015).
A happy song to cheer you up when the markets are down.
Israel “Iz” Kaʻanoʻi Kamakawiwoʻole was a Hawaiian musician, entertainer and Hawaiian sovereignty activist.
His voice became famous outside Hawaii when his album Facing Future was released in 1993. His medley of “Somewhere over the Rainbow/What a Wonderful World” was subsequently featured in several films, television programs, and television commercials.
Through his skillful ukulele playing and incorporation of other genres, such as jazz and reggae, Kamakawiwoʻole remains a very strong influence on Hawaiian music.